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DTSTART;TZID=America/New_York:20260418T130000
DTEND;TZID=America/New_York:20260418T143000
DTSTAMP:20260408T182816Z
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LAST-MODIFIED:20260408T182816Z
UID:10001640-1776517200-1776522600@paam.org
SUMMARY:Lecture and Book Signing with Tom Burr\, Breuer House Artist-in-Residence
DESCRIPTION:Tom Burr\, Deep Purple\, 2000/2019\, installation view\, Queer Abstraction\, Des Moines Art Center\, Iowa\, 2019.Photos courtesy of Des Moines Art Center. Photography by Rich Sanders.\n\n\n\n\n\n\n\nTom Burr (b. 1963 in New Haven\, Connecticut) is an artist who lives and works in New York and Connecticut.\n\n\n\nHe attended the School of Visual Arts and the Whitney Independent Study Program in New York. Burr’s work revisits the formal vocabulary of minimalism and post-minimalism\, and explores themes of site specificity\, queer subjectivities\, and space. He has shown extensively throughout Europe and the Americas. Burr is a 2025 Guggenheim Fellow. \n\n\n\nBurr’s work has been collected by major museums internationally\, including the Whitney Museum of American Art\, New York\, NY; Migros Museum\, Zurich\, Switzerland; MOCA\, Los Angeles\, CA; MuMOK\, Vienna\, Austria; New York Public Library\, New York\, NY; Sammlung Grasslin\, Germany; Sammlung Verbund\, Vienna\, Austria; Ludwig Museum\, Koln\, Germany; Hammer Museum\, Los Angeles\, CA; FRAC\, Champagne Ardenne\, France; FRAC\, Nord-Pas de Calais\, France; Baltimore Museum of Art\, Baltimore\, MD; and Yale University Art Gallery.  \n\n\n\nTorrington Project\, a major monograph dedicated to the artist’s 2021-24 landmark installation-studio-exhibition space of the same name\, was published by Primary Information in August 2025. \n\n\n\nIncluded with $15 Museum admission\, free for PAAM members. No advance tickets\, admission paid at the Front Desk upon arrival. \n\n\n\nTHE BREUER HOUSE\n\n\n\nFrom The New York Times: “Deep in the woods of Wellfleet\, on Cape Cod\, down winding and rutted dirt roads\, a summer home built in 1949 by the Modernist architect Marcel Breuer sits perched on stilts. Its cantilevered porch\, where friends and family would spend much of their time\, once had a clear view across three connected kettle ponds\, but saplings that dotted the hillside today tower above the house\, blockingsightlines. \n\n\n\nThe four-bedroom structure…is considered the most significant Modernist house on the Cape and was one of the first completed examples of Breuer’s “Long House” design\, a simple construction that could be assembled using local materials. It has been left unchanged for decades\, a time capsule of architectural history hidden in the wilderness…” \n\n\n\nRead more about the Breuer House and the Cape Cod Modern Trust here.
URL:https://paam.org/event/lecture-and-book-signing-with-breuer-house-artist-in-residence-tom-burr/
CATEGORIES:Lectures
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DTSTART;TZID=America/New_York:20260411T130000
DTEND;TZID=America/New_York:20260411T143000
DTSTAMP:20260408T182550Z
CREATED:20260123T180714Z
LAST-MODIFIED:20260408T182550Z
UID:10001639-1775912400-1775917800@paam.org
SUMMARY:Lecture and Book Signing with Peter McMahon\, Co-Author of "Cape Cod Modern"
DESCRIPTION:Peter McMahon is the Founding Director of the Cape Cod Modern House Trust (CCMHT)\, incorporated in 2008 to archive\, restore and celebrate the Outer Cape’s 20th century modern architecture and the creative culture that surrounded it.\n\n\n\nCCMHT has recently finished the purchase and restoration of Marcel Breuer’s Wellfleet summer home and has previously leased\, restored and re-launched four Park-owned\, modern houses\, once slated for demolition. His award-winning book\, Cape Cod Modern ( with co-author Christine Cipriani) is currently in its fifth printing. This talk will focus on the recent purchase and restoration of Marcel Breuer’s summer home\, the archiving of its contents and hosting of the house’s first artist residency. \n\n\n\nIncluded with $15 Museum admission\, free for PAAM members. No advance tickets\, admission paid at the Front Desk upon arrival.
URL:https://paam.org/event/lecture-and-book-signing-with-peter-mcmahon-co-author-of-cape-cod-modern/
CATEGORIES:Lectures
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DTSTART;TZID=America/New_York:20251115T110000
DTEND;TZID=America/New_York:20251115T120000
DTSTAMP:20251107T153852Z
CREATED:20251031T153231Z
LAST-MODIFIED:20251107T153852Z
UID:10001614-1763204400-1763208000@paam.org
SUMMARY:Blanche Lazzell and Provincetown: Advancing American Modernism
DESCRIPTION:In conjunction with the exhibition Blanche Lazzell: Becoming an American Modernist\, organized by the Art Museum of West Virginia University and generously supported by Art Bridges.\n\n\n\nBlanche Lazzell: Becoming an American Modernist explores the pioneering artist’s lifelong pursuit of translating Modernism into an American art form and celebrates her largely unsung achievements in championing abstraction in the United States through painting and printmaking. \n\n\n\nJoin us online for a presentation and Q+A session with PAAM’s CEO\, Christine McCarthy and exhibition curator\, Robert Bridges. They’ll discuss Lazzell’s work and her shift from European-derived modernism to her development of an American style before opening the virtual room up for questions. \n\n\n\nPre-Registration is required\, please use the form below. You will receive a Zoom link the morning of the lecture. \n\n\n\nRobert Bridges currently serves as the curator of the Art Museum of West Virginia University\, with collection holdings of over 4\,000 works of art. Bridges has curated more than a dozen museum exhibitions since the museum’s opening in 2015. Exhibitions include Blanche Lazzell: Becoming an American Modernist\, Paintings and Sculptures by Sally and Peter Saul\, Shepard Fairey: Work Against the Clampdown\, a solo exhibition by Nina Chanel Abney\, Independent Vision: Self-Taught Artists from Appalachia\, and Studio Window: The Prints of Grace Martin Taylor. From 2001 to 2015\, he organized over 80 exhibits in the Mesaros Galleries at the College of Creative Arts. Among them are the international exhibition Ceramic Art from the Jingdezhen Ceramic Institute and two national exhibitions featuring the work of American Modernist Blanche Lazzell. Bridges has written several book chapters and magazine articles. He is a co-editor of the book Blanche Lazzell\, The Life and Work of an American Modernist (2004) from WVU Press. \n\n\n\n\n\n\n\nLoading…
URL:https://paam.org/event/blanche-lazzell-and-provincetown-advancing-american-modernism/
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251025T130000
DTEND;TZID=America/New_York:20251025T140000
DTSTAMP:20251003T141651Z
CREATED:20251003T141644Z
LAST-MODIFIED:20251003T141651Z
UID:10001607-1761397200-1761400800@paam.org
SUMMARY:Artists Teaching Artists: Blanche Lazzell\, An Educational Legacy // A Gallery Talk with Artist Lynn Stanley
DESCRIPTION:In conjunction with the exhibition Blanche Lazzell: Becoming an American Modernist\, organized by the Art Museum of West Virginia University and generously supported by Art Bridges. Included with $15 Museum admission\, free for PAAM members.\n\n\n\n\n\n\n\nWhen the painter Blanche Lazzell called Provincetown home in 1918\, she rooted herself among a community of working artists who inspired and challenged each other.  \n\n\n\nProvincetown’s art colony had been established by trailblazing artist-teachers\, including the painter Charles Hawthorne\, who launched his summer school at the tip of Cape Cod in 1899.  Throughout her career\, Lazzell displayed a prescient ability to seek out and study with artists practicing within the modernist art movements of the early 20th century—including post impressionism\, cubism\, fauvism\, expressionism\, and abstraction.  As a teaching artist\, and through the example of her own work\, she has continued to inform and inspire generations of artists.   \n\n\n\nIn this lecture artist and educator Lynn Stanley will explore Lazzell’s work through the lens of these formative connections with artist-mentors and friends\, along with Lazzell’s legacy as an educator\, and her formidable influence as a master of the Provincetown Print. \n\n\n\nLynn Stanley is an artist\, educator\, and writer.  She received her BA from Smith College and her MFA in poetry from the University of Michigan. As a grant writer\, teaching artist\, and program developer she worked for two decades in non-profit arts administration\, including seventeen years with the Provincetown Art Association and Museum.  Stanley curated over sixty art exhibitions at PAAM\, with a focus on supporting the creativity of K-12 students and educators\, in collaboration with local artists and schools along Cape Cod. An award-winning educator and writer\, she’s applied her passion for arts education to generate exemplary programs for learners of all ages\, including professional development workshops and Visual Thinking Strategies training for K-12 teachers\, and the Art on the Edge\, Art Reach\, and Reaching Forward Mentor programs at PAAM. Stanley continues to be invested in arts education\, and the ways artists can support children\, teens\, and adults through the transformative power of human connection and creativity.  Examples of her work can be found at www.bisforbird.com \n\n\n\nImage: Blanche Lazzell (1878-1956)\, The White Petunia\, block cut 1932\, printed 1954\, color woodblock print\, 14 1/2 x 12 5/8 in. Art Museum of West Virginia University Collection\, gift of James C. and Janet G. Reed.
URL:https://paam.org/event/artists-teaching-artists-blanche-lazzell-an-educational-legacy-a-gallery-talk-with-artist-lynn-stanley/
CATEGORIES:Lectures
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