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DTSTART;TZID=America/New_York:20260601T090000
DTEND;TZID=America/New_York:20260601T150000
DTSTAMP:20260421T184043Z
CREATED:20260421T184030Z
LAST-MODIFIED:20260421T184043Z
UID:10001654-1780304400-1780326000@paam.org
SUMMARY:20S x PAAM | Art in the Barn: Hawthorne Legacy Bootcamp
DESCRIPTION:We are hosting three days of art-making in the Hawthorne Barn with our friends from Twenty Summers. \n\n\n\nFollowing a brief lecture on the legacy of Charles Hawthorne in Provincetown\, teacher John Clayton will give a painting demonstration and supervise three full days of painting in the Barn. Coffee and lunch will be provided. \n\n\n\nStudents can choose to enroll for either the first day as a stand-alone class\, or for all three days. \n\n\n\nThe class is open to all levels of experience\, but please bring your own supplies. We will provide easels and stools. If the event sells out\, we will maintain a waitlist on a first-come\, first-served basis. \n\n\n\n$125 | June 1\, 9am-3pm — One Day Workshop – SOLD OUT\n\n\n\n$350 | June 1-3\, 9am-3pm—Three Day Bootcamp\n\n\n\n\nBuy Tickets
URL:https://paam.org/event/20s-x-paam-art-in-the-barn-hawthorne-legacy-bootcamp/
CATEGORIES:Special Events
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DTSTART;TZID=America/New_York:20260605T110000
DTEND;TZID=America/New_York:20260605T200000
DTSTAMP:20260415T173227Z
CREATED:20260415T172200Z
LAST-MODIFIED:20260415T173227Z
UID:10001652-1780657200-1780689600@paam.org
SUMMARY:Now On View // Avital Sagalyn: Mid-Century Provincetown
DESCRIPTION:Avital Sagalyn: Mid-Century Provincetown\, curated by Betsy Siersma\, opens to the public today. Please join us for a celebratory reception on Friday\, June 26 at 6pm.\n\n\n\nThis exhibition is generously supported by Seamen’s Bank Long Point Charitable Foundation.
URL:https://paam.org/event/now-on-view-avital-sagalyn-mid-century-provincetown/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T180000
DTEND;TZID=America/New_York:20260610T190000
DTSTAMP:20260505T173053Z
CREATED:20260505T173039Z
LAST-MODIFIED:20260505T173053Z
UID:10001670-1781114400-1781118000@paam.org
SUMMARY:Fredi Schiff Levin Lecture // Panel Discussion with Mark Adams
DESCRIPTION:Co-curator and Center for Coastal Studies Scientist/Artist-in-Residence will lead a panel discussion as part of our Fredi Schiff Levin Lecture Series.\n\n\n\nPersistent Curiosity: Charting the Rippled Fabric of the Sea marks the 50th anniversary of Provincetown’s Center for Coastal Studies. the exhibition draws on contemporary artists with a long connection to Provincetown’s marine history as well on works from PAAM’s permanent collection\, including many donated by the late Napi and Helen Van Dereck. According to the curators\, works were selected because they resonate with the show’s themes of whale biology\, marine ecology\, coastal landforms and working life by the sea. \n\n\n\nIncluded with $15 Museum admission\, free for PAAM members. \n\n\n\nTHE FREDI SCHIFF LEVIN LECTURE SERIES\n\n\n\nThe Fredi Schiff Levin Lecture Series welcomes artists\, art historians\, curators\, and authors to speak at PAAM during the summer\, both in conjunction with exhibitions and as independent scholars. \n\n\n\nThe series was established in honor of artist Fredi Schiff Levin\, an active member of Provincetown’s arts community from the 1960s until her passing in 2002. We extend our deepest gratitude to The Levin Family\, who graciously sponsors this series. \n\n\n\nWatch all previous lectures our YouTube channel.
URL:https://paam.org/event/fredi-schiff-levin-lecture-panel-discussion-with-mark-adams/
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T170000
DTEND;TZID=America/New_York:20260619T200000
DTSTAMP:20260608T163147Z
CREATED:20260605T150536Z
LAST-MODIFIED:20260608T163147Z
UID:10001681-1781888400-1781899200@paam.org
SUMMARY:Future Art(ifacts): "What She Opened" by Jackie Reeves
DESCRIPTION:In honor of Juneteenth\, local artist Jackie Reeves presents her installation What She Opened\, an homage to educator\, activist\, and “Grandmother of Juneteeth”\, Dr. Opal Lee. \n\n\n\nSometimes referred to as the nation’s second independence day\, Juneteenth recognizes June 19\, 1865 when Union troops arrived in Galveston Bay\, Texas announcing that the more than 250\,000 enslaved black people in the state were free. However\, it was not until June 17\, 2021\, after decades long efforts led by Lee\, that President Joe Biden signed the Juneteenth National Independence Day Act bill that finally established June 19th as a federal holiday. This temporary art piece celebrates a once underrepresented but crucial moment in American history.  \n\n\n\nThe Future Art(ifacts) Series:\n\n\n\nAn artifact is “an object made or modified by a human being\, typically one of cultural or historical interest”. Artifacts mark important cultural and artistic expressions throughout human history\, tracing our societal values as they have changed through time. They are often found buried deep underground\, dusted off\, and encased in glass or hung on the wall of a museum\, separated by time and space by the people who made them\, leaving viewers to reckon with their meaning. The Future Art(ifacts) Series\, aims to connect the public with artists\, creators\, and thinkers making the same kind of significant contributions to culture in real time through a series of free workshops\, events\, and temporary installations held at the Provincetown Art Association and Museum during Free Friday events. \n\n\n\nJackie Reeves:\n\n\n\nJackie Reeves is a Cape Cod based multidisciplinary artist working across drawing\, installation\, animation\, and mixed media. She holds an MFA from Massart and approaches the figure as a site of experimentation~ layered\, fragmented\, erased\, and rebuilt. Her process embraces risk\, improvisation\, and the visible history of mark-making\, often incorporating collage\, unconventional materials\, and gestural abstraction. Reeves was honored as 2026 Artist of the Year by the Arts Foundation of Cape Cod and is the creator of award-winning animated films that merge art\, poetry\, and music. Her teaching invites artists to move beyond perfection and into discovery\, courage\, and expressive freedom. \n\n\n\nHer exhibition at PAAM\, Larger than Life ~ Drawings in Time\, is on view through July 19. \n\n\n\nImage: Jackie Reeves\, Cloud Hopper\, 2025\, Acrylic and chalk on canvas\, 65”x53
URL:https://paam.org/event/future-artifacts-what-she-opened-by-jackie-reeves/
CATEGORIES:Special Events
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DTSTART;TZID=America/New_York:20260621T140000
DTEND;TZID=America/New_York:20260621T153000
DTSTAMP:20260521T150015Z
CREATED:20260428T200538Z
LAST-MODIFIED:20260521T150015Z
UID:10001656-1782050400-1782055800@paam.org
SUMMARY:Outer Cape Chamber Music Festival // Season Opener: Inner Voices
DESCRIPTION:Buy Tickets!\n\n\n\n\n\n\n\n\nDoors open at 1:30pm\, Concert begins at 2pm | Advanced Tickets: $30 | Door Tickets: $35 | $15 for students and free for kids under 10 at the door\n\n\n\nPlease note: this concert was originally scheduled for Monday\, June 22 at 6:30pm. \n\n\n\n\n\n\n\nToday’s program pairs two masterworks of the clarinet quintet repertoire.\n\n\n\nBrahms’s autumnal Op. 115\, composed in 1891 after a long retreat from public composition and inspired by clarinetist Richard Mühlfeld\, and Samuel Coleridge-Taylor’s Op. 10\, was written just four years later by a young composer steeped in late-Victorian elegance but possessed of a uniquely warm\, folk-inflected lyricism. Where Brahms distills German Romanticism to its reflective essence — hushed yearning themes\, tender slow movements\, and a quietly resolved finale — Coleridge-Taylor answers with ardent\, songlike writing that is formally assured yet emotionally generous\, blossoming from poised opening themes to a hopeful\, affirmative close. Though separated by nationality and experience\, both composers treat the clarinet as a human narrator in intimate dialogue with the string quartet\, and together these two quintets chart a shared chamber ideal: music that speaks close and true. \n\n\n\nProgram: \n\n\n\nSamuel-Coleridge Taylor\, Clarinet Quintet (1906) \n\n\n\nBrahms Clarinet Quintet (1891) \n\n\n\nArtists: \n\n\n\nSangwon Lee\, clarinetGrant Houston and Yoonhee Lee\, violins\,Anna Griffis\, violaJoseph Gotoff\, cello \n\n\n\nThe Outer Cape Chamber Music Festival at PAAM brings world-class chamber music to Provincetown through an intimate concert series that uniquely integrates with the museum’s visual art exhibitions. Led by cellist Joseph Gotoff\, the series features concerts over two weeks in early summer\, performed by world-class musicians with ties to Cape Cod. Each concert is specifically curated to converse with the art on display at the museum.
URL:https://paam.org/event/outer-cape-chamber-music-festival-season-opener-inner-voices/
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260624T183000
DTEND;TZID=America/New_York:20260624T193000
DTSTAMP:20260507T174718Z
CREATED:20260429T144310Z
LAST-MODIFIED:20260507T174718Z
UID:10001657-1782325800-1782329400@paam.org
SUMMARY:Outer Cape Chamber Music Festival // Concert 2: Innovation and Mastery
DESCRIPTION:Buy Tickets!\n\n\n\n\n\n\n\n\nDoors open at 6pm\, Concert begins at 6:30 | Advanced Tickets: $30 | Door Tickets: $35 | $15 for students and free for kids under 10 at the door\n\n\n\n\n\n\n\nTonight’s program traces a historical arc through three transformations of the clarinet trio: from Bruch’s twilight Romanticism to Khachaturian’s exotic modernism to LeFanu’s contemporary lyricism.\n\n\n\nMax Bruch composed his Eight Pieces\, Op. 83\, in 1909 in his seventies for his son\, a clarinetist\, offering the aging Romantic a final moment of lyrical reflection. These pieces favor rich\, mellow instrumental hues and autumnal maturity of expression\, with melancholy opening themes that resolve into quiet nobility—a farewell to a musical language Bruch had perfected across a lifetime. Aram Khachaturian’s Trio\, composed in 1932 while still a student at the Moscow Conservatory\, answers with a younger voice steeped in a different inheritance: a blend of classical form with exotic folk elements that speaks of Eastern Eurasian traditions. Where Bruch distills\, Khachaturian ornaments—his rhapsodic first movement unfolds through gypsy-like improvisations\, and his finale spirals through variations on Uzbek folk melody. \n\n\n\nNearly sixty years on\, Nicola LeFanu’s Lullaby for clarinet and piano and Nocturne for cello and piano (1988) return to intimacy and restraint. Written in an era that has absorbed both her predecessors\, these miniatures speak quietly but assuredly: music that honors the clarinet and cello as human voices in conversation\, yet in a contemporary idiom stripped to essentials. Together\, these three works chart a shared chamber ideal—the belief that truth lives in melody\, color\, and close musical dialogue. \n\n\n\nProgram: \n\n\n\nNino Rota\, Trio for Clarinet\, Cello and Piano (1973) \n\n\n\nNicola LeFanu\, Nocturne for cello and piano and Lullaby for clarinet and piano (1988) \n\n\n\nMax Bruch\, Pieces for Clarinet\, Cello and Piano\, Op. 83 \n\n\n\nArtists: \n\n\n\nSangwon Lee\, clarinet \n\n\n\nJoseph Gotoff\, cello \n\n\n\nYundu Wang\, piano \n\n\n\nThe Outer Cape Chamber Music Festival at PAAM brings world-class chamber music to Provincetown through an intimate concert series that uniquely integrates with the museum’s visual art exhibitions. Led by cellist Joseph Gotoff\, the series features concerts over two weeks in early summer\, performed by world-class musicians with ties to Cape Cod. Each concert is specifically curated to converse with the art on display at the museum.
URL:https://paam.org/event/outer-cape-chamber-music-festival-concert-2-innovation-and-mastery/
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T180000
DTEND;TZID=America/New_York:20260625T190000
DTSTAMP:20260616T165844Z
CREATED:20260505T173643Z
LAST-MODIFIED:20260616T165844Z
UID:10001671-1782410400-1782414000@paam.org
SUMMARY:Fredi Schiff Levin Lecture // Fritz Horstman
DESCRIPTION:Artist and teacher Fritz Horstman discusses his studio practice and his book\,  Interacting with Color: A Practical Guide to Josef Albers’s Color Experiments in this Fredi Schiff Levin Lecture.\n\n\n\nArtist\, educator\, curator\, and author Fritz Horstman’s lecture will be two-faceted. He will cover both his new book\, which is a companion to Josef Albers’s beautiful and canonical\, though sometimes opaque\, Interaction of Color\, first published in 1963\, and some of his own artwork\, which is deeply informed by working so closely with the work of Anni and Josef Albers. Horstman’s book focuses on 8 essential experiments in Albers’s text\, providing more images\, step-by-step explanations\, new resources\, and anecdotes from Albers’s classes and from his own. The lecture will transition to his studio practice\, where he’ll share images of his Folded Cyanotypes and Folded Palladiums\, made by folding photo-sensitive paper\, as well as images of several new sculptures and videos in which he describes glacial valleys with a wide range of materials and processes. The lecture will conclude with images of what’s happening in his studio this summer. \n\n\n\nIncluded with $15 Museum admission\, free for PAAM members. \n\n\n\nTHE FREDI SCHIFF LEVIN LECTURE SERIES\n\n\n\nThe Fredi Schiff Levin Lecture Series welcomes artists\, art historians\, curators\, and authors to speak at PAAM during the summer\, both in conjunction with exhibitions and as independent scholars. \n\n\n\nThe series was established in honor of artist Fredi Schiff Levin\, an active member of Provincetown’s arts community from the 1960s until her passing in 2002. We extend our deepest gratitude to The Levin Family\, who graciously sponsors this series. \n\n\n\nWatch all previous lectures our YouTube channel.
URL:https://paam.org/event/fredi-schiff-levin-lecture-fritz-horstman/
CATEGORIES:Lectures
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260626T180000
DTEND;TZID=America/New_York:20260626T200000
DTSTAMP:20260625T211232Z
CREATED:20260430T200258Z
LAST-MODIFIED:20260625T211232Z
UID:10001663-1782496800-1782504000@paam.org
SUMMARY:Now On View // Edwin Rissland: Revisitations
DESCRIPTION:Edwin Rissland: Revisitations\, curated by Joe Fiorello\, opens to the public with a celebratory reception today at 6pm.
URL:https://paam.org/event/now-on-view-edwin-rissland-revisitations/
CATEGORIES:Exhibitions
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DTSTART;TZID=America/New_York:20260626T180000
DTEND;TZID=America/New_York:20260626T200000
DTSTAMP:20260625T211325Z
CREATED:20260430T202927Z
LAST-MODIFIED:20260625T211325Z
UID:10001664-1782496800-1782504000@paam.org
SUMMARY:Now On View // Marcia Marcus: Strange and Clear
DESCRIPTION:Marcia Marcus: Strange and Clear\, curated by Brandon Brame Fortune and Debra Lennard\, opens to the public with a celebratory reception today at 6pm.
URL:https://paam.org/event/now-on-view-marcia-marcus-strange-and-clear/
CATEGORIES:Exhibitions
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DTSTART;TZID=America/New_York:20260626T180000
DTEND;TZID=America/New_York:20260626T200000
DTSTAMP:20260508T170241Z
CREATED:20260430T204144Z
LAST-MODIFIED:20260508T170241Z
UID:10001665-1782496800-1782504000@paam.org
SUMMARY:Free Friday at 5pm // Public Reception at 6pm: Avital Sagalyn\, Edwin Rissland\, Marcia Marcus
DESCRIPTION:PAAM’s weekly Free Friday begins at 5pm\, and at 6pm the public is warmly invited to a reception celebrating three exhibitions:\n\n\n\nAvital Sagalyn: Mid-Century Provincetown\, curated by Betsy Siersma; Edwin Rissland: Revisitations\, curated by Joe Fiorello; and Marcia Marcus: Strange and Clear\, curated by Brandon Brame Fortune and Debra Lennard. \n\n\n\nFree and open to the public.
URL:https://paam.org/event/free-friday-at-5pm-public-reception-at-6pm-edwin-rissland-marcia-marcus/
CATEGORIES:Opening Parties
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T120000
DTEND;TZID=America/New_York:20260627T133000
DTSTAMP:20260626T141522Z
CREATED:20260603T151427Z
LAST-MODIFIED:20260626T141522Z
UID:10001680-1782561600-1782567000@paam.org
SUMMARY:In Conversation: "Marcia Marcus: I Paint What I Like" — Book Launch
DESCRIPTION:Published on the occasion of a major new career retrospective\, Marcia Marcus: I Paint What I Like provides a much-needed\, extensive monographic exploration of a strikingly original artist.\n\n\n\n Join lead curator Debra Lennard and the artist’s daughters\, Jane Barrell Yadav and Kate Prendergast\, for a conversation about Marcia Marcus‘s life and art\, on the occasion of the publication of Marcia Marcus: I Paint What I Like. Published alongside PAAM’s major new career retrospective\, this extensive monographic exploration brings long-overdue attention to a wildly original artist. \n\n\n\nHeadstrong and wry\, Marcia Marcus (1928–2025) made paintings that challenge typical understanding of post-war American art. Rejecting mainstream abstraction\, Marcus spent five decades painting what compelled her: languorous male nudes\, parenthood\, great style — subjects her peers rarely explored — all rendered in her distinctive cool and poised hand. Undaunted by New York’s male-dominated art world\, she was a vivid presence in downtown Manhattan and Provincetown\, pioneering as one of the first women to stage a Happening. Through decades of self-portraiture\, she boldly affirmed her own creative voice and upended narrow expectations of gender with wit and defiance. \n\n\n\nThis volume illuminates Marcus’s multifaceted significance: innovative artist of post-war New York\, creator of radically assertive self-portraiture\, and essential forerunner of figurative painting today. \n\n\n\n\n\n\n\n\n\nMarcia Marcus: I Paint What I Like.\n\n\n\nEdited by Debra LennardPreface by Jane Barrell Yadav and Kate PrendergastIntroduction by Melissa RachleffEssay by Debra LennardCoda by Brandon Brame FortuneContributions by Martha Edelheit\, Mimi Gross\, Chantal Joffe\, and Alex Katz \n\n\n\nPublisher: D Giles Limited\, London GilesLtd.com in association with Marcia Marcus Media Corp.\, Yonkers\, New York.
URL:https://paam.org/event/book-signing-with-debra-lennard-marcia-marcus-i-paint-what-i-like/
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260629T183000
DTEND;TZID=America/New_York:20260629T193000
DTSTAMP:20260626T133647Z
CREATED:20260429T150658Z
LAST-MODIFIED:20260626T133647Z
UID:10001658-1782757800-1782761400@paam.org
SUMMARY:Outer Cape Chamber Music Festival // Concert 3: The Infinite Thread
DESCRIPTION:Buy Tickets!\n\n\n\n\n\n\n\n\nDoors open at 6pm\, Concert begins at 6:30 | Advanced Tickets: $30 | Door Tickets: $35 | $15 for students and free for kids under 10 at the door\n\n\n\n\n\n\n\nJohann Sebastian Bach / Dmitry SitkovetskyGoldberg Variations\, BWV 988 (arr. for string trio\, 1984)\n\n\n\nBach’s Goldberg Variations hold a peculiar place in the repertoire: endlessly analyzed\, yet somehow endlessly mysterious. \n\n\n\nWritten in 1741 for two-manual harpsichord\, the work unfolds as an Aria followed by thirty variations — canons\, dances\, character pieces\, a boisterous quodlibet — before the Aria returns at the end\, the same notes now carrying the weight of everything that has come between. \n\n\n\nDmitry Sitkovetsky made his string trio arrangement in 1984\, dedicating it to the memory of Glenn Gould\, whose two landmark recordings (1955 and 1981) had done so much to place the Goldbergs at the center of musical life. The dedication is fitting: like Gould\, Sitkovetsky is less interested in replication than in reimagining. Distributing Bach’s voices across violin\, viola\, and cello transforms the music in subtle but profound ways. What was crystalline and percussive on the harpsichord becomes warm\, breathing\, sustained. The counterpoint — always present in the original — becomes something you can almost see\, each voice now embodied by a different instrument\, different timbre\, different physical presence on the stage. \n\n\n\nThe result is not Bach updated or Bach reimagined so much as Bach heard differently — as if a familiar room has been entered through a new door. \n\n\n\nProgram: \n\n\n\nJ. S. Bach\, Goldberg Variations (1741)\, arr. for String Trio by Dimitry Sitkovetsky \n\n\n\nArtists: \n\n\n\nYoonhee Lee\, violin \n\n\n\nKen Hamao\, viola \n\n\n\nJoseph Gotoff\, cello \n\n\n\nThe Outer Cape Chamber Music Festival at PAAM brings world-class chamber music to Provincetown through an intimate concert series that uniquely integrates with the museum’s visual art exhibitions. Led by cellist Joseph Gotoff\, the series features concerts over two weeks in early summer\, performed by world-class musicians with ties to Cape Cod. Each concert is specifically curated to converse with the art on display at the museum.
URL:https://paam.org/event/outer-cape-chamber-music-festival-concert-3-goldberg-variations/
CATEGORIES:Music
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