• Free Friday from 5-8pm

    Admission to PAAM is free on Friday evenings from May-October thanks to our Free Fridays Sponsors: Perry’s Fine Wines and Liquors, Provincetown Art Gallery Association (PAGA), Truro Vineyards of Cape Cod, and WOMR Outermost Community Radio. See what's on view here.

  • Future Art(ifacts): “What She Opened” by Jackie Reeves

    In honor of Juneteenth, local artist Jackie Reeves presents her installation What She Opened, an homage to educator, activist, and “Grandmother of Juneteeth”, Dr. Opal Lee. Sometimes referred to as the nation’s second independence day, Juneteenth recognizes June 19, 1865 when Union troops arrived in Galveston Bay, Texas announcing that the more than 250,000 enslaved black people in the state were free. However, it was not until June 17, 2021, after decades long efforts led by Lee, that President Joe Biden signed the Juneteenth National Independence Day Act bill that finally established June 19th as a federal holiday. This temporary art piece celebrates a once underrepresented but crucial moment in American history.

  • Outer Cape Chamber Music Festival // Concert 2: Innovation and Mastery

    Tonight's Program: Nino Rota, Trio for Clarinet, Cello and Piano (1973); Nicola LeFanu, Nocturne for cello and piano and Lullaby for clarinet and piano (1988); Max Bruch, Pieces for Clarinet, Cello and Piano, Op. 83. Artists: Sangwon Lee, clarinet; Joseph Gotoff, cello; Yundu Wang, piano.

  • Fredi Schiff Levin Lecture // Fritz Horstman

    Teaching artist Fritz Horstman discusses his book, Interacting with Color: A Practical Guide to Josef Albers's Color Experiments, in this Fredi Schiff Levin Lecture. Included with $15 Museum admission, free for PAAM members.

  • Now On View // Marcia Marcus: Strange and Clear

    Marcia Marcus: Strange and Clear, curated by Brandon Brame Fortune and Debra Lennard, opens to the public today. Please join us for a public reception tonight at 6pm.

  • Book Signing with Debra Lennard // “Marcia Marcus: I Paint What I Like”

    Published on the occasion of a major new career retrospective, Marcia Marcus: I Paint What I Like provides a much-needed, extensive monographic exploration of a strikingly original artist.

    Headstrong and wry, Marcia Marcus (1928–2025) was a fiercely original artist whose work challenges typical understanding of post-war American art. Rejecting mainstream abstraction, Marcus spent five decades painting what compelled her: languorous male nudes, parenthood, great style—subjects her peers rarely explored—all rendered in her distinctive cool and poised hand. Undaunted by New York’s male-dominated art world, she was a vivid presence in downtown Manhattan and Provincetown, pioneering as one of the first women to stage a Happening. Through decades of self-portraiture, she boldly affirmed her own creative voice and upended narrow expectations of gender with wit and defiance.